For LittleBoyDruid, and the Stony gift exchange.
Steve ran hot. it was something Tony appreciated the hell out of.
Most of the time.
Half of the time.
Okay, mostly only in winter.
Okay rarely. Very rarely. Tony generally liked to sleep sprawled out and at just the right temperature on top of all the covers.
This wasn’t happening as it was all of sub nothing outside.
We have a new candidate for asshole of the year.
And how precious is it that this man decided that he gets to define something which overwhelmingly affects women more than men? It’s just adorable. As Bilmon said, "Leaving aside vicious sexism & rape denialism, it is amusing when RW white (& white collar) elites try to pander to their blue collar marks."
Peter. Peter gets more tentacle than Tony.
But I think that’s mainly on the strength of being Doctor Octopus’s prime nemesis. And you can’t choose your supervillains, your supervillains choose you.
Watch the entire “Let It Go” scene from Frozen featuring Idina Menzel performing as Elsa.
If you don’t wanna go see Frozen, this is the best 3:39 of the movie (except the short that plays beforehand). What a jam.
goosebumps every time!
Oh god Sarah you are so right
This character is basically Elphaba and Let it Go = No Good Deed
Biggest difference? Idina’s voice does not match this character or it’s expressions.
A voice so strong was not meant for a character so cotton candy soft. ESPECIALLY WHEN THEY DIDN’T MAKE HER EMOTIONAL RANGE LARGE ENOUGH TO MATCH THE INTENSITY OF THE MUSIC??? The song is good, yeah. But the energy in the scene from this character design makes me cringe. It’s fucking Rapunzel trying to sing a song from Wicked fucking fuck what.
This was really lazy, Disney.
Elsa is an Elphaba copy
i think the big problem with the emotional range is the fact that they literally went out of their way to not make her face contort with the emotional waves of the song, because they wanted to make her stay “pretty”. if you watch Idina Menzel sing, well, pretty much anything, but especially her songs from Wicked, she is EMOTING. she is earnestly performing ev-ry sing-le syll-a-ble. she’s not “attractive” when she does it, but that doesn’t matter, because you’re not looking at her for her face, you’re looking for the feeling.
if you watch the video, the song kills, but the disconnect comes from the fact that elsa isn’t emoting. and this goes right along with all the problems of the production. it’s quite obvious the animators don’t care enough, because you have this intense song being sung by this powerhouse of a performer, and they aren’t trying to make the match; it’s all halfhearted.
and elsa, if you ask me, is a poor-man’s elphaba, because she’s not emoting. when i listen to wicked, i respond, because i hear the emotions and i remember seeing how it was performed; i cried during defying gravity because of the performance. when i watch elsa, i can see menzel in my mind’s eye performing it in the recording booth, and the difference between the two is jarring.
toni is always better at saying what I want to say so reblogging again
and you know what? It’s sad when the most emotional part of the song happens when you can’t see the character’s face:
THAT STOMP WAS THE MOST EXCITING PART OF THE WHOLE SCENE WHEN THIS SHOULD HAVE BEEN:
SHE IS LIFTING A GODDAMN SHOW PALACE
THAT SHOULD HAVE BEEN FUCKING COOL
LOOK AT HER. AND LISTEN TO THE MUSIC. AND CRINGE AT THE UNCOMFORTABLE DISPLACEMENT OF IT ALL WITH ME
“when i watch elsa, i can see menzel in my mind’s eye performing it in the recording booth, and the difference between the two is jarring.”
Y E S
((also this was the only song scene in the movie that actually made me feel anything….and now that I see it out of context it’s really mediocre, but compared to everything else, it was amazing and I called it “phenomenal” in my liveblog @_@))
The last shot is particularly guilty. Her weird bedroom eyed sexy face seemed kinda outta place.
It’s weird, because it makes me feel almost frustrated for the animators themselves, because was the rigging purposely limited so there couldn’t be as much squash and stretch/pose pushing/etc without going “off model”? Or was it a purposeful direction from the get go? Or just in the animation stage? Hrm.
I’ve yet to watch the movie a third time to focus solely on animation (I know I’m a sad person and shitty animator for it), but now that I’m looking at screenshots and remembering the scene in general, it’s kinda irksome, seeing as during the other songs, Anna had more of a emoting face? Hrmmmmmmm.
Is it just me or is the lighting or something like all wrong in the first part of the scene where she’s walking up the mountain
Like it just looks really fake-y CGI somehow
She smiles the entire time even when the lyrics are serious and angry.